Episode 136 - Whip It Good

Do you remember this 1980s TV show, one of many Indiana Jones-inspired projects?

We’re happy to welcome Jason Pays (@JasonPlaysNMS) back to the show for a chat about video games, adventure movies and more.

The main reason Jason is here is to discuss the new game, Indiana Jones and the Great Circle. Since it’s a massive game and Jason has other titles to play, neither of us has been able to even put a dent in the game yet. At the time of recording, Jason was still in the first setting and I just started the second. So, as you might imagine, not much spoiler talk. We do talk about how much we have enjoyed the game so far and how far the franchise have come since the Raiders game on the Atari 2600.

This leads into a discussion about the original Raiders trilogy, not much about the later films and much talk about the 1980s Indy-inspired knock-offs, including Romancing the Stone, High Road to China, Tales of the Gold Monkey, Bring ‘Em Back Alive, Tale Spin and yes, even The Perils of Gwendoline in the Land of the Yik Yak, a favorite bad movie from the 1980s Skinemax generation and many impressionable teenagers.

And, as always, there’s some James Bond talk, the eternal ranking of 007 actors, what we’d like to see in future installments and the like.

There’s also chat about No Man’s Sky, Light No Fire and the lack of news about the game at this year’s Game Awards, Jason recently joining the cult of Balatro and other video game chatter.

Thanks to Jason as always for doing the show. You can catch him streaming multiple times a week on You Tube.

Episode 135 - History Repeating

Gorilla Monsoon squares off against Muhammad Ali in 1976, prior to the Ali vs Inoki fight.

It’s our second WON HOF show of the week. We’re happy to have back on the show author and podcaster Brian R Solomon (@brianrsolomon) for another round of discussions about this year’s ballot. We cover a lot of the same topics as we did with Greg on the last show, including measuring tag teams in dog years, not voting for active competitors, judging someone’s entire career regardless of the category in which they are placed and comparisons to both Cooperstown and the Rock and Roll HOF.

We also to talk to Brian about his upcoming book next year on the legendary Gorilla Moonson and what surprised him most while researching the man, in his career, billed from both Manchuria and Cherry Hill, NJ. And since it’s almost Halloween, we also threw out a couple of film recommendations for the season, including Gothic, The Abominable Dr. Phibes and The Black Cat.

Be sure to check out Brian’s podcast Shut Up and Wrestle, especially if you love hearing about the Weston/Apter wrestling magazines, as well as Brian’s great ability to get wrestlers’ children on as guests, as they always have fascinating stories to tell.

Episode 132 - Furious Anger

Come on, join our convoy. Praetorian Jack (Tom Burke) and Furiousa (AnnaTaylor-Joy) in Furiousa.(c) 2024 WB.

It’s movie time again, as we are again joined by Justin Jones (@xPrimusPilusx) to discuss Furiousa, the latest film in George Miller’s Mad Max series and the prequel to Fury Road focusing on the origin of the character played by Charlize Theron.

As you might imagine, it’s a spoiler-filled discussion of all aspects of the film,so if you’ve not seen it yet, you’ve been warned. We start with our overall thoughts and then break down the story beats, the characters, the acting, the practical stunts and everything else under the hot Australian desert sun.

There’s also some other movie chat, including the issues of presenting historical artifacts through contemporary mores, the sale of Criterion and should we worry about its future and a tease of a future episode detailing the great cinematic year that was 1999.

This episode was recorded on my phone immediately after seeing Furiousa, so we apologize for the dip in audio quality Also, to answer some questions asked in the episode, the actor who originally played Immortal Joe, Hugh Keays-Byrne, did pass away in 2020 and the role was played this time by Lachy Hulme, who also played Rizzdale Pell, Dementus’ chief lieutenant. And “the truck driver” was Praetorian Jack, played by Tom Burke.

Episode 129 - I Am A Rock

Young Tony Schiavone interviews Ole Anderson on WTBS in 1985. RIP Ole Anderson.

We welcome back Beau James (@kingofkingsport) to the show for some wrestling history chat, including looking back at the lives of Ole Anderson and Mike Jones aka Virgil.

We discuss Ole’s long career, as wrestling and booker in both Georgia and Charlotte. We talk about his tag teams with Gene Anderson, Stan Hansen, Ivan Koloff and Arn as a member of the Four Horsemen. We talk about his famous feud with Dusty Rhodes, the ups and downs of Georiga Championship Wrestling and more. Beau also tells us some stories about running into Ole at the Gulf Coast Wrestler Reunions.

We chat briefly about the passing of Mike Jones, his longevity in the business in both WWF and WCW, his internet notoriety and meeting him on indy shows.

From there, we talk about the Iron Claw movie, even though Beau hasn’t watched it yet. There’s chat about dramatic licenses vs historical inaccuracies, Easter Eggs, when can a sad movie have a positive ending and more.

That segues into a long discussion about being a wrestling historian and the problems that can entail, when you research something built on a lie, including primary sources and their trustworthiness, faulty memories and newspaper reporters keeping kayfabe.

We end the show with a talk about Beau’s Southern States Wrestling promotion, their recent Hall of Fame inductions and upcoming shows this spring and summer.

Episode 128 - Hellfire and Brimstone

L: Peter Wyngarde as Jason King. C: Jason Wyngarde and Jean Grey in Uncanny X-Men 132. R: Jason Wyngarde and Diana Rigg in The Avengers. Imitation and flattery, et cetera.

It’s been a while, but we are happy as heck to welcome back writer, journalist and From the Sublime editor Iain Hepburn back to the show for a long chat about some classic British popular culture (and other stuff).

We start with the recent passing of film and tv music composer Laurie Johnson at age 96. Although probably best known for The Avengers (and New Avengers) themes, he had a long career that includes Jason King and The Professionals on TV and films including Dr. Strangelove. We talk about his career and other British TV composers like Ron Grainer (The Prisoner and Doctor Who) and Edwin Astley (Randall and Hopkirk Decased, Danger Man). This leads into a chat about 1960 British shows, the ones that made it to the US and the ones that didn’t and the fun of spotting actors on those before before they were famous.

Then, there’s plenty of chat about Doctor Who and the return of Russell T. Davies to run the show. We talk about how the vast Doctor Who library is now on BBC iplayer, the Tales of the Tardis special featuring classic cast members, modernizing old episodes for a contemporary audience and the hunt for missing episodes. This segues into a chat about physical media, streaming services, the phenomenon of Talking Pictures TV in the UK, preservation and restoration of older programs, how that relates to classic wresting TV shows and more.

There’s also chat about Iain’s magazine From the Sublime, who third/fourth issue is currently in production. We talk about the previous issues and some of the topics, including a Buck Rogers-themed restaurant in Glascow in the 1980s and futbol kit culture, including an unexpected discussion of the NASL and MLS. If you want a copy of From the Sublime and you order from their website, enter “WINTERPALACE” for 15% discount.

It’s always great to talk to Iain about stuff, so hopefully it won’t be more than eight years before he is back on the podcast.

The Plot Podcast - Episode 20 - Oh, Wolfie

Salieri (F. Murray Abraham) in disguise. From Amadeus.

Continuing our podcasts centering on biopics, we turn our attention to one of the best of the 1980s, Amadeus, directed by Milos Forman and adapted by Peter Schaffer from his play of the same name. It’s a look at the life of Wolfgang Amadeus Mozart (Tom Hulce), through the lens of his rival, Antonio Salieri (F. Murray Abraham). We discuss Schaffer’s play, which turned into the film, including all the well-known actors who starred in both the UK and Broadway. We look at the plot of the film, discuss some of the historical liberties taken in play and film, including the question of “did Salieri really kill Mozart?” We discuss the rest of the cast, including some well-known character actors and one young actress who would go on to star in one of the biggest US TV shows of this century.

If that wasn’t enough, we talk about Rock Me Amadeus, the 1985 song by Austrian singer Falco and marvel at not only how many versions of the song there were (over 20) but just how amazingly successful it was around the world.

We might be having a new comics podcast coming soon. Still working on logistics. So be on the lookout for that, maybe, along with some big name guests coming to the main show (fingers crossed).

Episode 127 - Yellow Rose of Texas

Von Erichs vs Freebirds six-man match from 1984 David Von Erich Memorial Parade of Champions.

It’s a same day turnaround for this holiday treat, as Justin Jones (@xPrimusPilusx) returns to the podcast to discuss The Iron Claw, the new movie about the Von Erich family, which we saw earlier today.

There are plenty of spoilers (for a docudrama), so if you haven’t seen it yet, save it for after you watch it. Short answer: it’s a good movie, in and of itself, but not great, and pretty good for a wrestling movie. We discuss the whole film, which actors we thought did the best jobs in the main cast, as well as looking at all the actual wrestlers in the movie. (The one everyone is making fun of on social media isn’t that bad.)

There’s also a lot of general wrestling chat: territorial history, foreign menaces as world champion, attendances now and then and how to judge them, the careers of Ross and Marshall Von Erich and more. We also tease which new biopic will probably be the subject of an upcoming pod and will be praised nearly as much as this picture.

Note: we recorded this in the movie theater parking lot, while sitting in the car, and so the quality is not as good as usual. We apologize for the inconvenience.

Episode 126 - Tokyo Giant

Godzilla vs The Marvel Universe. From Godzilla 24 by Doug Moench, Herb Trimpe, et al. (c) 2023 Marvel Comics.

After seven long years, we’re happy to welcome Zander Cannon (@zandercannon) to the pod to discuss the mad monster party, officially known as Godzilla Minus One. We basically go through the entire film plot point by plot point, so if you haven’t seen it yet, save the pod for after you’ve watched it. Short version: it’s as good or better than all the buzz you’ve heard about it. We talk about the main characters, both the humans and Big G himself, compare it to the original 1954 film (with and without Raymond Burr in the American version), the call-backs to previous movies, the drama at the heart of the movie and what very nerdy fan service thing I would have loved to see in the movie, even if most viewers may not have gotten the reference.

From there, we discuss the 1979 Godzilla comic from Marvel. Zander only read a couple issues as a kid, but I reread all 24 issues for the show. So, we discuss the creators and art style, which Marvel super heroes appear in the book and, of course, the giant Mattel Godzilla toy from that era (you know, the one with the spring-loaded fist you could shoot).

That’s a natural segue into Zander’s comic Kaijumax, which finished up last year and the third of three hardcover collections is coming out soon (it may be out when you hear this) from Oni Press. We talk about the evolution of the series over its 30 issues, the lack of monster vs monster splash pages in the series, all the tropes that got turned on their heads in the series and more.

We end with what could a general talk abou the comics industry, largely about original art, prices these days for older pages, creating comics digitally vs the old pen and ink days, color guides and how cool they are to see, retro technology and a bunch of other topics.

It was great to talk to Zander again on the show and hopefully it won’t take seven years to invite him back.

Episode 124 - Just Gone Noon, Half Past Monsoon

The Sheik and Princess Salima, also known as Edward and Joyce Farhat.

Who better to have on the show to discuss scary wrestlers for Halloween than the man who wrote a book about maybe the scariest of them all, The Sheik (Edward Farhat)?

I’m happy to welcome for the first time on the show, author, historian and podcaster Brian R Solomon (@BrianRSolomon). Brian’s biography of the Sheik, Blood and Fire, tells the story of how the boy fascinated by Middle Eastern culture in things like Rudolph Valentino’s The Sheik and Michael Powell’s The Thief of Bagdad, would provide the basis for his wrestling persona. We talk about his amateur wrestlingcredentials garnered during World War II and how they were part of his initial pro wrestling career, before he eventually became the Madman from the Middle East. We go over most of his career, both in the US, including his promotion Big Time Wrestling in Detroit and his phenomenal success in Japan, first with All Japan and then a decade later in FMW.

Since Brian is currently working on a book about Gorilla Monsoon, we talk about the similarities, at least being amateur wrestlers who ended up with “foreign heel” gimmicks. We also have a fascinating conversation about early 20th American attitudes toward “exotic” cultures, like the Middle East and the Far East and how that shaped their gimmicks. We also look at how The Sheik, one of the biggest heels in the 1970s, never portayed the kind of anti-American character we associated with people like the Iron Sheik, Adnan Al-Kaissie or Scandar Akbar.

From there, we have a long chat about the candidates for this year’s Wrestling Observer Hall of Fame. Since we both have votes, we go over who we think the strongest candidates should be, even if there’s no guarantee they’ll be elected. We also discuss of the flaws in the system and ways it could be improved.

We also have some chat about wrestling’s place in popular culture in the 1970s and how the bloody wrestling magazine covers played into the seediness of the sport, before it became more sanitized in the 1980s.

Finally, there’s some comics chat, where I recommend some current books Brian might enjoy as a lapsed comics reader.

This was a great show and I hope to have Brian back on the future to discuss some of the things we only briefly mention. Make sure to check out Brian’s books and his podcast, Shut Up and Wrestle, part of the Arcadian-Vanguard network.

The Plot Podcast - Episode 19 - Pulse/Kairo (2001)

Dust in the Wind. What happened to Michi’s (Kumiko Aso) friend? From Pulse (2001).

It’s spooky season, so let’s have a review of famous 2001 J-horror film Pulse aka Kairo [Circuit], written and directed by Kiyoshi Kurasawa.

It’s literally a “ghost in the machine” plot, as it appears a group of Japanese students have found out the dead are trying to come back to our world through … the internet? Luckily, it’s 2001, so it takes a while thanks to dial-up.

While some of the deaths are horrific, none are anything I’d call gory by 2023 standards. And not as many jump scares as you’d expect from a J-horror picture.

And if sounds familiar, it’s because there was a 2006 American remake starring Kristen Bell and one of the guys from Lost who never seemed to become a breakout star. But dont make the mistake of watching the wrong one. The Japanese version is a somber reflection about loneliness and solitude, which certainly hits harder now in a post-COVID world. The other is a horrible remake that took the plot but not the soul of its predecessor. I mean, it’s so bad, that there’s a joke about it in another Kristen Bell movie (Finding Sarah Marshall).

Episode 123 - It's Full of Stars

It was a Starfield wedding and the old folks wished them well.

I’m excited to welcome back Jason Plays (@jasonplaysNMS) to the show to discuss a variety of topics.

First up, Starfield has been out for about a month now and we were both super looking forward to it. How has Jason found the game so far, his likes and dislikes, comparing it to both past Bethesda games and space operas like Mass Effect. I’ve been slow playing, where Jason is on his fourth playthrough, so while there are discussions of characters and missions, a lot of the big spoilers are not discussed, since I haven’t gotten to them yet.

Then, of course, we talk about No Man’s Sky, which dropped an update and expedition right before Starfield’s launch. How did Jason cope with trying to consume and play both at the same time? We discuss the most recent expedition and how it feels like Hello Games just might be making adventures to put a burr in the saddle of speedrunners.

We also chat about the upcoming Metal Gear Solid remastered releases. Jason was a huge Solid Snake fan in the day, so we talk about our memories of the games both good and bad (Raiden, I’m looking at you).

Then we shift gears for a long chat about the James Bond franchise. We discuss our favorite Bond actors and films, the out-of-continuity movies, serious spy films vs funny/campy pictures, other favorite spy properties and more. There’s also a lot of random popular culture chat, including (again) the greatness of Green Acres, the early years of having a VCR, life as a video game streamer and attracing an audience and other stuff.

I want to thank Jason for his time for doing a long episode, especially since we started late, thanks to a seemingly interminable traffic jam on my way home from work, which pushed back the recording time.

The Plot Podcast - Episode 17 - Enola Gay

On the 78th anniversary of the Atomic Bomb being dropped on Hiroshima, we look at some of the popular culture around that event.

We start by discussing the 1980 song “Enola Gay,” by the 1980s British band Orchestral Maneuvers in the Dark (OMD). We look at a brief history of the band, the success of the song both at the time and its historical legacy and a not-necessarily-obvious resonance it had in popular culture.

After that, given the box office success of Christopher Nolan’s “Oppenheimer,” we look some other films that take on the creation of the bomb in 1945. That includes the 1989 films “Day One” starring David Strathairn as Oppenheimer and “Fat Man and Little Boy,” starring Paul Newman and Dwight Schultz (who you may remember from “The A-Team” or “Star Trek: The Next Generation”) as Oppenheimer. We also briefly discuss the 1980 BBC mini-series “Oppenheimer” with Sam Waterston in the title role.

We end with a brief mention of two other foreign language films related to the events: Alain Resnais’ “Hiroshima Mon Amour” from 1959 and Akira Kurosawa’s “Rhapsody in August” from 1991.

The Plot Podcast - Episode 15 - Serpentine (RIP Alan Arkin)

The Plot looks back at the career of the late, great Alan Arkin, who recently passed away at the age of 89.

We talk about his folk music career before getting into acting and then play some clips from a number of our favorite films in which he starred, from “The Russians Are Coming, The Russians Are Coming” to “Grosse Point Blank.” Did you know Arkin was on both Sesame Street and The Muppet Show in his career? Whether comedy or drama, one of the best actors of the last half-century. Rest in Peace.

The Plot Podcast - Episode 13 - Don't Mess Around With Jim

If you come at him, you better not miss.

Although we cover sports (and pseudo sports) here, we felt it was better to have our tribute to the late great Jim Brown, who passed away this week, was to analyze a small part of his popular culture career, by looking at some of his most-famous Blaxploitation films.

Brown made two films as the Green Beret turned Mob enemy Slaughter, in Slaughter (1972) and Slaughter’s Big Rip Off (1973). In the first, he squares off against the psychotic Rip Torn and in the second, the mob boss tried to take out Slaughter is … Ed McMahon?

Maybe Brown’s best known genre role was as Jimmy in Three The Hard Way, which is like The Blaxploitation Avengers, where he teams up with Fred “The Hammer” Williamson and martial artist Jim Kelly to fight a white supremacist group out to poison the black population of Los Angeles, Detroit and Washington, DC.

If you like old school 1970s violence with plenty of fights, shoot outs and car chases, along with some gratuitous nudity, these pictures are for you. (That presumes you all know about all the cultural mores of the genre, especially the language and the racism.)

We had planned on including the Richard Pryor routine about Jim Brown, but it was just too many bleeps to add for a five minute routine. Listen to it when you get the chance; one of my favorite all-time favorite comedy albums.

Episode 119 - Why Always-a Me?

Dem Bones, Dem Bones, Dem Dry Bones. From the Super Mario Brothers Movie. (c) 2023 Universal.

With such a huge week for Nintendo, who else could we get to talk about it but Andre Segers (@andresegers) from GameXplain?

Of course, we start with the juggernaut that is the Super Mario Brothers Movie. On the day of recording, it had just passed the $500 million plateau, and still hadn’t opened in Japan yet. In a spoiler-filled chat, we discuss the plot (does it matter it was straightforward?), the voice acting (such a talking point prior to release) and some of the criticisms the picture has gotten from mainstream film critics.

From there, we talk about the last trailer for Zelda: Tears of the Kingdom before its release in about a month. We look at the new elements in this version, including finally getting some clue about the plot, the game mechanics and how silly the idea was that it was “just a $70 DLC for Breath of the Wild.”

Andre tells us about his trip to the opening of Super Nintendo World in California, although he still hasn’t had the change to go to the park in Japan.

We end with the pain Andre went through to replay Paper Mario Sticker Star on its tenth anniversary. He famously hated the game when it came out and we chat about why there may have been extenuating circumstances then and have his feelings toward the game after all this time.

It was obviously a big week for GameXplain, so we thank Andre for finding the time to do the show again.

The Plot Podcast - Episode 11 - Conquistador

Kang meets Merlin in Strange Tales 134, July 1965, by Stan Lee and Bob Powell. (c) 2023 Marvel Comics.

“The best laid schemes of mice and men…”

To tie-in to both Valentine’s Day and the upcoming Ant-Man and the Wasp: Quantumania movie, the plan for the podcast was take a look at the wedding of Hank Pym and Janet Van Dyne from Avengers 60. But that story, and the previous issue, the first appearance of Yellowjacket, present a lot of stuff that is very totally out-of-place for 2023 sensibilities. So, we called an audible.

Instead, we look at the long and convoluted history of Kang the Conqueror, which, as it turns out, doesn’t even start with his first appearance in Avengers 8. So, let’s talk about Kang, Rama-Tut, the Scarlet Centurion, Immortus, Ravonna, Nathaniel Richards, Doctor Doom, The Council of Cross-Time Kangs, The Time Variance Authority, Mobius M. Mobius and more. We also (for the second pod in a row) discuss Omniverse, the 1970s fanzine started by the late Mark Gruenwald and the article in issue two of that magazine devoted to all those characters, or is it just one character?

(Note: this only goes up to the late 1980s. We don’t talk about the Avengers story by Kurt Busiek and various others in the early 2000s or anything from the last few years after the characters became part of the MCU in the Loki TV show.

This is a great companion piece to the recent episode of The Winter Palace where we talked to Mark Waid about continuity in comics.

The Plot Podcast - Episode 10 - Singing Cowboy Xmas Movies

Gene Autry and “Santa” (Hank Patterson” deliver Xmas presents in The Cowboys and the Indians.

What better way to celebrate the holiday season than looking at two very loosely Christmas-themed singing cowboy pictures?

First, it’s Roy Rogers and “Trail of Robin Hood.” There are no merry men or archery contests, but we do have a turkey shoot in a story about a businessman, his daughter and their nefarious foreman trying to corner the marker on Christmas trees. Leave it to Roy, Trigger and Bullet to put a stop to it.

Then, it’s Gene Autry in “The Cowboys and The Indians.” For 1949, this is a fairly progressive picture about the maltreatment of Natives on reservations, in this case by a villainous and greedy trading post owner. Gene teams with a female doctor and a local tribesman to try and expose the corruption going on. The Christmas stuff doesn’t come until the end when Gene sings one of his famous holiday songs (we won’t spoil which one he sings).

The Plot - Episode 5 - French New Wave

A looby card for Shoot the Piano Player.

With the recent passing of Jean-Luc Godard, we look at three French New Wave heist films: Shoot the Piano Player, Band of Outsiders and Le Doulos.

We start with a very cursory explanation of the French New Wave, Cahiers du Cinema and the influence of Post WWII gangster films, what we would later call film noir: private eyes, trench coats and fedoras, femmes fatale, chiascuro lighting and so on. (Apologies to all my former film professor for some very brief oversimplifications.)

Shoot the Piano Player (1960) was Truffaut’s second film after The 400 Blows. It’s the story of a piano man with a dark secret, his ne’er-do-brothers, some gangsters and the bar maid that has a crush on the piano man and who also knows his secret. Plenty of humor in this often-dark movie.

Band of Outsiders (1964) is often called Godard’s most accessible film, thanks to its straightforward plot, humor and pop references. Two guys and a girl plan to steal a pile of cash from the villa where the girl Odile (Anna Karina) lives nearly. There’s also the burgeoning love triangle between Odile and the two guys, Franz and Arthur. And a lot of silliness before the robbery, where, of course, things go wrong.

Le Doulos (1962) was one of many crime films made by Jean-Pierre Melville, who is sometimes called “The Godfather of the French New Wave” since he was making films before the Cahiers critics and mentored some of them along the way. Le Doulos was the slang term for a police informant and the question is the film is just who was tipped off the police to the heist being pulled by Maurice and Remy? Was it Silien, the film’s trench coat and fedora wearing gangster, played by perennial French New Wave star Jean-Paul Belmondo? Or was it someone else? You need a score card to keep track of the twists and turns, as the body count grows throughout the picture.

There are of course many other heist films worth checking out. These three are currently streaming on the Criterion Channel and HBO Max and Prime also have a number of French New Wave classics. We wanted to talk about Rififi, but it’s not currently streaming anywhere, so we’re saving that for another day.

The Plot is a co-production of Odessa Steps Magazine and The When It Was Cool Network.

The Plot - Episode 4 - Inspector Clouseau / The Inspector

The Inspector and The Matzoriley Brothers, from The Great De Gualle Stone Operation. (C) 2022 MGM.

In this episode, we look at what happens when a studio makes a sequel without its creator and without its star and its more successful cartoon analog.

In 1968, Mirisch Films decided to make a third Pink Panther without Blake Edwards, Peter Sellers and Henry Mancini. And we got Inspector Clouseau, directod by veteran comedy producer/director Bud Yorkin and starring Alan Arkin, in between making The Russians Are Coming and Catch-22. If every a film was less than the sum of its parts, it’s this film, which just doesn’t work on so many levels. But its an interesting study in what happens when you remove the creators that make something special.

We also take a look at The Inspector, the animated film/tv series that actually preceded the aforementioned film by three years. The second animated spin-off series from the Pink Panther franchise debuted a year after the first Pink Panther cartoon won an Oscar. The Inspector (and his assistant Doux-Doux) are voiced by Pat Harrington Jr and The Commissioner is originally voiced by the recently-departed Larry Storch and later by Paul Frees. There were 34 cartoons eventually made for either the movies or Saturday morning TV, with such great episodes titles as Napoleon Blown Aparte and Toulouse La Trick. Full of traditional cartoon gags like exploding bombs and surrealistic situations, your tolerance for them in 2022 may be determined by your tolerance for comedy French and Spanish accents.

The Plot - Episode 3 - Secret Six / Showcase 43

Introducing the team in Secret Six issue 2. (2) 2022 DC Comics.

We’re back with a new episode of The Plot and it’s back to the spies, this time in comic book form with two topics for discussion

First up is Secret Six, the seven-issue DC Comics from 1968 and 1969. We look at the creation of the book, its fairly obvious inspiration (see Episode 1), the members of the team, their mysterious leader and an issue-by-story description of their missions. We talk about the book’s premature end, the unsolved mystery surrounding Mockingbird and how that was unofficially resolved and how to read it today. (Note: This is about the Silver Age team, not the Gail Simone books of the 2000s.)

And then, it’s Showcase 43, cover dated April 1963, the DC Comics adaptation of Dr. No, the first James Bond movie starring Sean Connery. We look at the comic’s original home, how it got to DC Comics. how were it’s sales since it was published before the movie was released in the US and some of the major and minor changes back to the movie versus the comic. We also touch on, 60 years after being published, it’s quite the rarity in the collector’s world.

Special shout out to comics scribe and font of knowledge Mark Waid for research help. Check out the Irredeemable Kickstarter still going on as this episode debuts. And remember to check out the other podcasts on the When It Was Cool network.