A looby card for Shoot the Piano Player.

With the recent passing of Jean-Luc Godard, we look at three French New Wave heist films: Shoot the Piano Player, Band of Outsiders and Le Doulos.

We start with a very cursory explanation of the French New Wave, Cahiers du Cinema and the influence of Post WWII gangster films, what we would later call film noir: private eyes, trench coats and fedoras, femmes fatale, chiascuro lighting and so on. (Apologies to all my former film professor for some very brief oversimplifications.)

Shoot the Piano Player (1960) was Truffaut’s second film after The 400 Blows. It’s the story of a piano man with a dark secret, his ne’er-do-brothers, some gangsters and the bar maid that has a crush on the piano man and who also knows his secret. Plenty of humor in this often-dark movie.

Band of Outsiders (1964) is often called Godard’s most accessible film, thanks to its straightforward plot, humor and pop references. Two guys and a girl plan to steal a pile of cash from the villa where the girl Odile (Anna Karina) lives nearly. There’s also the burgeoning love triangle between Odile and the two guys, Franz and Arthur. And a lot of silliness before the robbery, where, of course, things go wrong.

Le Doulos (1962) was one of many crime films made by Jean-Pierre Melville, who is sometimes called “The Godfather of the French New Wave” since he was making films before the Cahiers critics and mentored some of them along the way. Le Doulos was the slang term for a police informant and the question is the film is just who was tipped off the police to the heist being pulled by Maurice and Remy? Was it Silien, the film’s trench coat and fedora wearing gangster, played by perennial French New Wave star Jean-Paul Belmondo? Or was it someone else? You need a score card to keep track of the twists and turns, as the body count grows throughout the picture.

There are of course many other heist films worth checking out. These three are currently streaming on the Criterion Channel and HBO Max and Prime also have a number of French New Wave classics. We wanted to talk about Rififi, but it’s not currently streaming anywhere, so we’re saving that for another day.

The Plot is a co-production of Odessa Steps Magazine and The When It Was Cool Network.